Sound Colour Vision covered last week’s Low End Theory, which featured Jeremiah Jae, Dot, Gonjasufi and The Gaslamp Killer bringing their respective stamp on musical adventures.
On the evening of February 29th, 2012, Low End Theory came together for yet another out of this world set of artists on the bill. Brainfeeder’s Jeremiah Jae, Alpha Pup’s Dot and Warp’s Gonjasufi, you have three of the best modern experimental electronic labels coming together under the spirit and energy of the Low End Theory family. Daddy Kev, D-Styles, Nocando, DJ Nobody and The Gaslamp Killer are always presenting something new with the old and a drastic shift in every nights presentation.
Gonjasufi felt like the apex with The Gaslamp Killer and himself sharing the stage, bringing the crowd to a funneled connected grid of energy with the way he was controlling the crowd and his own impulsive behaviors. It is truly inspiring to watch Gonjasufi become engulfed inside of the music and the freedom that transpires outward was endless in visual representation during his set. Gonjasufi has a power and presence on stage that you could tell affected everyone right away. The charismatic nature of his being really embodied itself int his Low End set as you could really feel every word he was singing and saying.
Read in full and more lensmanship, here
Photo: Oliver Walker
Ear Con58 – Ear Invasion
This uzi weighs a ton.
‘Cos within the allotted sixty minutes, for your ears, hearts and minds we present newness from Débruit, Maga Bo, Obba Supa, and Jeremiah Jae. (I’ll post more details about Maga Bo’s new EP within the next couple of days)
Old-time music from Robert Crumb’s collection, that be Paul Specht & His Orchestra.
Good ole dutty funk from Funkadelic.
Reggae vibes from Horace Andy, Barry Brown and Dr. Alimantado.
Plus curveballs from Gaslamp Killer, Black Chow, El-P, Jeremiah Jae, den5hion and Primus
Is that good enough for ya?
Going out via Sunhole Radio 22h GMT tonight and on Saturday 16h-18h CET via The Magic Show at eFM, Sarajevo.
Obba Supa / Arabian Shesha (Chakra Sounds)
Calle 13 / John El Esquizofrenico (den5hion remix)
Katakresis / La Cumbia Malvada
Funkadelic / Red Hot Mamma (Westbound)
Paul Specht & His Orchestra / That’s What I Call Sweet Music
Horace Andy /Talk About Zion (Blood & Fire)
Barry Brown / Natty Roots Man (Blood & Fire)
Dr. Alimantado / Mash It Up (Blood & Fire)
Black Chow / Danger (Jahtari)
Maga Bo / Ransom – Timeblind Mix (Senseless)
Maga Bo / Gondar (Senseless)
Débruit / Turkish-ish (Civil Music)
RJD2 / Silver Fox (Def Jux)
Jeremiah Jae / Kings Bop (Brainfeeder)
Primus / Los Bastardos (Interscope)
Obba Supa / Yumm Yumms (Chakra Sounds)
DJ Vadim / Terrorist – Gaslamp Computer Killer Remix (Ninja Tune)
El-P / Lab Rat Bravely Escapes Only to Crash Into the Gates (Def Jux/Gold Dust)
Gonjasufi steps up again with the inevitable remix album of ‘A Sufi and A Killer’. Titled, The Caliph’s Tea Party you can read the label bumpf below. Also on the cards with Gonjasufi’s name ‘pon it is a remix competition for anyone that wishes to take a stab.
So, The Caliph’s Tea Party was slowly summoned to life. Like the Caliphs of the Ummahs of the 7th century, orchestrating affairs from their palaces, Gonjasufi has assembled a collection of artists in his musical world and invited them to exchange ideas. In this spirit, the symbolic and musical centerpiece of the album, as well as its namesake, is the result of the mutual admiration formed between Gonjasufi and Broadcast and Focus Group. A bewitching, drastic re-working of ‘DedNd’ it takes the form of a suite of layered compositions and radiophonic transmissions.
Elsewhere, reinterpretations from new talents shine while established artists continue to surprise. Mark Pritchard channels Ennio Morricone with epic orchestral dystopia on his remix of ‘Ancestors’ while retaining the inherent gravity of Flying Lotus’ original production. Young guns Shlomo and Jeremiah Jae eschew their labeling as ‘beatmakers’ and tap into a fractured emotional core within ‘Change’ and ‘Holidays’, respectively, giving them new leases on life as subtly mechanized melancholia. Bibio smooths out the rough edges of ‘Candylane’ for a remix indebted to the 1980s R&B leftfield, while Brooklyn’s Bear in Heaven and Oneohtrix Point Never deal in heavy motorik meditations and ethereal musique concrete.
That The Caliph’s Tea Party lives up to it’s concept as a companion piece to A Sufi & A Killer is not only a sizeable accomplishment, but also a testament to the source material. Gonjasufi has emerged in 2010 as the most striking new voice in a vast musical landscape that continues to outrun true classification. With so many errant strands of creativity moving in all directions, it may well prove fortunate that a Caliph has been selected.
End of Warp Transmission
Over to you